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Dr JAN (GURU)

On the whole this album appears to be one where the light, easy listening aspect is predominant. As sometimes is the case, there is much more than is readily apparent. His voice sounds a little like Bryan Ferry set to a mixed up world of 70'8 rock and 80'8 electronica. You could be forgiven for thinking that the title track sounds
a little dated, but you cannot help yourself from being dragged in (probably against your will) and you actually start to like the track. incidentally the guitarist is none
other than Bill Nelson.

The second instalment has a vague drum 'n bass feel with his very light voice providing the counterpoint. The songs become more contemporary as time elapses until the fifth track Sensitive is reached.

Here the reggae feel is surrounded with syrupy strings and a strong bass line that mutates into a sort of drum 'n bass dub during the middle eight before returning to the original theme.

On Caroline Summer, his prophetic words are delivered in a style similar to David Sylvan who makes this sound almost like the work of Japan. The best extract is the instrumental Sarajevo where the music is allowed to speak for itself and the bass line is just brilliantly incorporated into a mesmerising soundscapce. A modem dance beat and catchy singing is to be found on Desire Machine. This CD is a lot better than the cover artwork would imply. (Brooky)

Reviewed in issue 37 [Spring 02] of MODERN DANCE, 12 Blakestone Road, Slaithwaite, Huddersfield, HD7 5UQ.

Zabadak
OUT OF ORDER

A collection of 20 fresh new Indie rock and alternative bands, is what the sleeve says. Thoughts of tuneless guitar thrashing come to mind; a wall of thunder with a throaty vocal buried in there somewhere. Such was my prejudice against Indie. Happily, the tracks on this CD aren't like that at all. Whether Indie fans who liked the bone-crunching sound of old will like this I couldn't say. But with 20 bands to choose from,there's something for everybody.


BLAZE 'Jeanie' -This starts out with some crunchy guitar that
reminded me of T.Rex, but develops into the sort of power pop bands
like The Records managed at the end of the 70s. A catchy chorus, neat guitar solo, clever word play, and the CD's off to a good start. (8)
OSMOSIS 'Education' -Osmosis are unashamed punk revivalists,
and provide the required noisy bash here. Closer to The Vibrators than
The Clash, though; not really beefy enough. If you're going to revive
punk there's got to be more Attitude. It has a homespun feel, which was what punk was all about. (7)
DR JAN (GURU) 'Alienshamanism' -This starts as a fairly dismal
dance track that sounds like it was put together in the kitchen with
whatever came to hand. Then an unexpectedly mellow voice comes in
that seems to have escaped from New Romantics ABC. That might be
the answer -ditch the pots and pans and climb aboard the 80s revival
train that can't be far away. (6)
WOLVENTRIX 'How Refreshing' -This has an unusual vocal and
some interesting lyrics, but the backing is rather tame, almost a
throwback to Merseybeat. A bit of an oddball pop piece. (7)
THE TRIMATICS 'Simple Morning' -Jangly guitar pop from a group
apparently doing well in Sweden! Touches of the La's, which can't be
bad. My critical head thinks this really isn't distinctive enough, but I'm a sucker for this kind of guitar sound. (8)
THE EXPRESSIONS 'Why Can't Everything Just Go The Way I
Planned?'
-Very mellow and smooth, quite slick and professionally
arranged, in fact. A little too sweet and teen oriented for me, though. (7)
RED ASH & THE LOVE COMMANDOS 'Get Off My Car' -English rap
in Ian Dury style. Nicely done, though anyone who said 'get off my car' as politely as this in some quarters would come to a sticky end. (6)
PLASTIK 'The White Room' -Ideas abound in lots of quirky bits and
pieces on this. Driving drums, a distinctive vocal, some 60s 'sha la la
las' and a brief but enjoyable guitar solo tucked away in the middle.
Clever. (8)
DAN T's INFERNO 'Wirewalker. -A spoken piece against a pretty
repetitive and uninspiring backing. Shades of The Fall's Mark E Smith
rather than the average rapper. A confident voice, too, but there's not
enough going on musically to bear too many listens. (6)
CONSPIRACY .Fast Train' -A hesitant opening, but this soon gets
going. The band's description of 'ethnic percussion sound and
contemporary keyboards and guitars' is spot on. A rather 70s rock
guitar coupled with a New Orderish vocal might sound a strange
combination, but it works. The guitar sound rather reminded me of
BJH's John Lees in fact, which is even odder. The chorus doesn't
quite fit, as it disrupts the flow of the song, and the overall sound is a bit flat, but very interesting all the same. (8)
ASCENSION 'Word On The Street' -That rarity in rock -the Christian
rock band. This moves along nicely, despite a dubious trumpet sound,
and the song, which examines attitudes to Christianity, is also
interesting. (7)
SANDY SHORES 'Last Night' -A Parisian band with an English singer
(and one that reminds me of Morrisseyl) is certainly a curious
combination; but this is really rather too slow and drawn out. A pleasant enough ballad, but a little too treacly for me. (6)
RISER 'Spitting Teeth. -This is a happy, bouncy pop track enlivened
by some heavier, crunching guitar. Nothing innovative, but most
enjoyable. (7)
HERROD 'Sat Down Beside Her. -This is almost two tracks stuck
together, a slow, atmospheric piece with some melodic guitar, and a
faster, driving piece of Indie. The two styles switch back and forth, and though you can't exactly see the joins, it's an odd mix. (6)
THE SHOPLIFTINGANGELS 'What Hides Inside' -This seems to be
influenced by the US underground pop bands like Fountains of Wayne
and many many others: lively, bright and breezy pop with plenty of
hooks. This one's got a particularly catchy chorus. Nice! (8)
ROUNDWOUND .Wrong Again. -A band whose ambitions rather
outstrip the enjoyable but rather lightweight piece of pop offered here. A few flourishes do catch the ear, especially the intro, but it didn't really grab me. (6) (ZAB: Hey this is tab!)
DEANSGATE 'On My Knees' -I couldn't get excited about this either,
though it's got a strong vocal and a good tune. Enjoyable listening,
then, pleasant, inoffensive, but rather dull. (6)
THE VISITORS 'Down To The Sea' -This opens in unremarkable
fashion too, and then the voice comes in, and the song takes a clever
turn, flowing round and round, swaying on and on, like the water in the curious lyric. There's an equally fluid instrumental break, and by the end the effect is quite captivating, the dull opening forgotten. Don't open too many songs like this, though! (8)
SHIVER SLINKY .Shibboleth. -This is a bit of a trippy piece, with
shades of late 60s US West Coast psych in there, and elements of the
UK underground festival scene. A bit of a 'head' band, then, complete
with the required guitar sound. Rather ramshackle in places at the
moment, but that adds to the charm, and they could develop into
something very interesting indeed. (8)
PARKSTONE DUB FOUNDATION 'Alcohol' -Synth sounds that
burble, squeal and swish, a vaguely reggae beat, distorted vocals, and someone saying 'gimme the beat' -this just doesn't know what it wants to be. Actually it does -the band want to 'make music for people who hate music...' I rather like it myself. Music, that is. (6)

Overall, this really has something for everyone -even those who hate
music! Can't be bad. 71/2 Steve Douglas

Reviewed in Zabadak, October 2001, Zabadak c/o Ron Cooper, Domaine Des Palmiers, 124 Av Maurice Chaevalier, Apt 103 Bat B3 06150 Cannes La Bocca France

Zabadak
OFF THE HOOK

Yet another indie compilation from 25 Records -'Off The Hook'
features nineteen different bands: Have a soft spot for these
compilations -there's a spirit which runs through each -the covers -the
titles (all beginning with O and three words). Will this be up to the levelof those prior three which we've reviewed.
OSMOSIS 'Luv Buzz' -off to a spunky start -fine balance between the
fuzzed guitars and the female singer's wilful plea.(8)
BLAZE 'Step In' -continues the fuzz buzz -slightly more melodic &
almost a folk vocal from this female.(8)
X-HAIL 'Hang On To Your Happiness' -slightly grittier -from Oxford,
they sound like Level 42 backing Kylie Minogue -a slightly folkish
female vocal over the guitar picking. (8)
COR-CRANE 'Uam Is Cool' -in fact with a spunk fuzz buzz & female
anguished vocal it could well be the same band as the previous four.
Good for this compilation but perhaps some off the wall ideas are called for -sounds like they're singing "Ringo is cool". Likeable in any case. (8)
THE GLADYS '89/99' -from a singer who seems to have been lonely
for 10 years -some original ideas here. Humour & irony in a blazing
guitar setting. Halfway through, the loping beat with echoed guitar
speeds up into a bit of a thrash. Then it slows down again. "As / see we have no choice".(8)
SHIVER SLINKY 'Sourdine' -quite a change -atmospheric & slow with
a slight ambient approach.(8)
RED ASH & THE LOVE COMMANDOS 'Nothing' -wah wah guitar.
Red Ash certainly sounds posh. He obviously can't sing but he adds
some spice as he sends up the whole music scene.(7)
OLl-POP 'Don't You Just Love It?' -reminds of Liberty 37 -heavy
guitar & stop start drums -doom laden. (7)
BLUSTER 'Core' -perhaps the same band as the last one under a
different name?!? A slow turgid doom laden riff.(6)
THE CHIMES 'Shake The Shelter' -jingle jangle freshness after the
previous onslaught -Oasis probably are popular on their turntable.
Even an orchestral bit, plus yes, there's plenty of chiming guitar -the
vocal is shaky but all in all this is quite good -swaying jangly rhythm
captivates "I'm the halfway house down the street".(9)
INTERSTATE 'Throw It Away' -synth opening before guitar & drums
kick in -then an organ takes over -now its speed with a breathless
vocal -light & melodic -a groovy guitar break. Reminds of The
Levellers 'Hope Street' -well they do use the word "street". Like it. (81/2)
ASCENSION 'Everything In Nature Cries' -a Christian band from
Ireland. Nice to hear a few acoustic guitars The song is lighter than
most that precede it -though it's just a little ordinary. (7)
TANTRUM 'The Girl With Two Faces' -a snarling amateurish but
likeable vocal on a mixture of Brit Pop and early 705 Prog -the thudding drums & the guitars -it may be this bands 5 seconds of fame, but have affection for this. "How could you do this to me". (9)
ROUNDWOOD 'Dirty 0l' Money' -such a good beat -best track here -
this is brilliant -slow motion guitar pyrotechnics. "Football shirts are £45 proudly worn by the kids around town" and "The emperors clothes with a label on the arse". (91/2)
DALLAS PRISON 'It's OK' -an up-tempo blast with a pop hook, and
it's all over inside two minutes -sharp vocals & guitar. Colossal! (8)
CALMER 'Always' -borne aloft on an ethereal, shimmering magic
carpet of jangly guitars. Classic pop, with no tricksy tempo changes,
meaningful lyrics or sullen vocals to spoil the dish -a pleasure drone
from start to finish. (8)
MALDUNE 'Under The Sea' -a reasonable track, with a 'Dear
Prudence' style guitar hook, and a vocalist who sounds like Shed
Seven's Rick Witter -and the similarly named 'Ocean Pie'. (7)
DR JAN (GURU) 'Stream Of Consciousness' -plodding drum & bass
& swooning electronica -a serious singer who sounds like a refugee
from a New Romantic group. There's the obligatory Eastern feel, mixedwith some Chris Isaak style guitar. Excitement is minimal. Not being averse to a cheap pun, I'd re-title this one 'Stream Of Un-
Consciousness'. "You know that I tried". (7)
PARKSTONE DUB FOUNDATION 'Woman's Rights' -this might be
politically correct, but it's frankly pretty unlistenable. The history of
Suffrage set to a dance beat and then prodded and stabbed until all of the air has leaked out.(6)

All told there's only a couple of stiffs -and so it's really all right.(R.C.
with some help from M.C.)

Reviewed in Zabadak, October 2001, Zabadak c/o Ron Cooper, Domaine Des Palmiers, 124 Av Maurice Chaevalier, Apt 103 Bat B3 06150 Cannes La Bocca France

Dirt Culture
[Like a bad case of the reviews]

Out of Order

74 minutes of waste. 74 minutes of third rate rock, punk, house and alternatative. 74 minutes of lies, seeing how the following statememt is printed on the inside cover; "each and every band on this disc could be tomorrow's number one" I don't freakin' think so champ. Even the songs that start off OK get terrible shortly after. The songs on here are so bad, instead of laughing I just got mad. This comp presents 20 bands that you will never hear anything about, so quit reading this and don't worry about it anymore. Inferior is not the word.

Reviewed by The Irish in Dirt Culture, P.O. Box 4513, Las Cruces, NM 88003, USA



DR JAN (GURU) - ALIENSHAMANISM

Not too sure on the history behind this act, but the music here is a superb blend of both electronic dance & a sort of folk-ish feel to the songwriting. Really grabbing my interest was the liner note about the Australian embassy having canceled his visa & that some of the songs on the album relate to that experience.

Bearing a truly astonishing vocal resemblance to U2's Bono on the opening title track, we begin a fascinating journey through a number of dance styles, but tracks like "Sensitive", the darker edges of "Sarajevo" & the jungly beats of both "Desire Machine" & "Stream Of Consciousness" are definite picks, as is the closing version of the title track, which stretches things out & slows the pace somewhat.

A definite case for visa cancellations if this is the result, quite outstanding.

Bye for now, Terry Allen hEARd, Australia.

 

 

 


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A Handy Guide To Review-Speak


They Say : They Mean

Glam-Rock The singer sounds a bit camp.

Influenced by The Velvet Underground Someone plays the violin very badly on one song.


Folk-Rock Is that an acoustic guitar?  Atonal Noiseniks Can't play for toffee


Byrdsian I'm sure I heard a 12-string... Lennonesque Singer sings down nose and wears NHS glasses


Punky Singer sounds like Norman Wisdom, The song sounds like a race between the guitarist & the drummer and the bass player only plays one note.


Stop/start Dynamics
Guitarist keeps dropping plectrum


Prog-rock tendencies Too long and boring....


Reminiscent of .... As bad as.....


A cult item They'll sell about three copies


Takes No Prisoners Unlistenable Racket


Beatlesque
sad Beatle wannabe/copyists


Dylanesque Gibberish lyrics sung flat.


Dynamic song set Played several fast songs and then a slow one


Mellow Obviously out of their heads on downers


Energetic Up to the eyeballs on amphetamines


Pleasantly poppy bland middle-of-road old tosh


Laid-back vibe They smoke too much weed for their own good


Psychedelic Played same note for three hours, But we couldn't get a clear shot at them
because of all the film-loops of lavalamps


Loungecore Vibe
They sound like a middle-aged German Bandleader murdering TV theme tunes

 
Cheesy There's a Hammond organ in there somewhere.


In with a bullet The persons responsible should be shot. 


Occasional Beatlesque quirk There's a minor chord in one of their songs.

Cheesy 70's vibe The guitarist's got a wah-wah pedal, and he's not afraid to use it.


Sounds very Smiths The guitarist plays far too many notes The singer can only sing two notes and it's far too depressing.

New jokes.

Jon starts working in a lumber camp. The boss says, "We work twelve hours a day, we eat two meals a day, lights out
at ten-thirty, and you can put your dick in the barrel over there for a blow job any day but Thursday."
Jon says, "Why not Thursday?"
The boss says, "Because Thursday is your turn in the barrel."

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